![]() Some have been well-executed versions of familiar TV forms, while others have seemed so wholly new that it’s hard to imagine them existing in the pre-streaming era. In the nine-plus years since House of Cards debuted and changed the streaming originals landscape, some excellent shows have escaped the algorithm’s clutches and made their way onto our screens. ![]() And when few Netflix shows feel as essential as what can be found elsewhere, that’s how you get to a huge subscriber loss being presented as relatively “good” news.īut it hasn’t all been intentional mediocrity for Netflix. The suits trusted that the superior caliber of their user interface, the power of their recommendation algorithm, and a heavy emphasis on serialization and cliffhangers would make people want to keep watching more and more Netflix, no matter what. Still, some of it seems to be the result of an ethos among Netflix executives to aim not for great shows, but for ones that are just good enough. So what happened? How did Netflix go from wiping Blockbuster off the map to potentially becoming a business school cautionary tale in its own right? Some of it is simply competition once every entertainment conglomerate realized it needed its own streaming service to survive, Netflix ceased to be everyone’s first choice for where to spend their home-entertainment dollars. Things have gotten so rough for the floundering streamer that it’s planning to introduce a cheaper, ad-supported plan next year to attract new subscribers (or, at least, to keep from losing more). Now, though, many of its most-watched library titles, like The Office and Friends, have moved to streamers owned by their respective corporate parents, while the most buzzed-about originals of the last couple of years also tend to come from non-Netflix streamers, whether it’s Apple TV+’s Ted Lasso and Severance, Disney+’s The Mandalorian, or Hacks on HBO Max. Netflix was once out so far ahead of the competition that it may as well have been the entire streaming video business for a while. Song Kang, Lee Jin-Wook, Lee Si-young, and Lee Do-Hyun star in the South Korean apocalyptic horror streaming television series Sweet Home. How is this good news? Because the company had previously projected it would lose two million. The series was also popular with international viewers via Netflix, where it has remained in the top 10 TV shows on the platform since its inception. In its latest earnings call, the streaming giant announced that it had lost almost one million American subscribers over the second quarter of 2022. See report here.Netflix finally got some good news last week - sort of - after a long stretch of the bad kind. We engaged EY – an independent accounting firm – to review the weekly lists from Jto January 4, 2022. Weekly reporting is rounded to 10,000 to account for any fluctuations in internet connectivity around the world. For titles that are Netflix branded in some countries but not others, we still include all of the hours viewed.Īll of the weekly lists and weeks in the Top 10 on the site start from June 28, 2021. Country lists are also ranked based on hours viewed, but don’t show country-level viewing directly.įinally, we provide a list of the Top 10 most popular Netflix films and TV (branded Netflix in any country) in each of the four categories based on the hours that each title was viewed during its first 28 days. To give you a sense of what people are watching around the world, we also publish Top 10 lists for nearly 100 countries and territories (the same locations where there are Top 10 rows on Netflix). ![]() Rama Rao Jr., Ram Charan, Ajay Devgn, Alia Bhatt Votes: 158,273 Gross: 14. ![]() Because titles sometimes move in and out of the Top 10, we also show the total number of weeks that a season of a series or film has spent on the list. RRR (2022) Not Rated 187 min Action, Drama 7.8 Rate 83 Metascore A fictitious story about two legendary revolutionaries and their journey away from home before they started fighting for their country in the 1920s. We consider each season of a series and each film on their own, so you might see both Stranger Things seasons 2 and 3 in the Top 10. These lists rank titles based on weekly hours viewed: the total number of hours that our members around the world watched each title from Monday to Sunday of the previous week. ![]() Every Tuesday, we publish four global Top 10 lists for films and TV: Film (English), TV (English), Film (Non-English), and TV (Non-English). ![]()
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